art is an algorithmic dance that gathers, reprocesses, and returns –
each work a unique encounter between creator and creation.
An eternal cycle of glitches and vision.
Born in 1984, I can’t recall a single moment in my life without a pencil, a marker, or a brush in hand. Since childhood, drawing and illustration have been my language — a code made of lines, gestures, and color.
It was the world of graphic arts that claimed me: I worked for years as a professional graphic designer while earning a degree in Computer Science.
Over time, my two souls — the technical-scientific and the emotional-artistic — stopped clashing and began to merge.
Today, my artistic research focuses precisely on this point of convergence: where logic meets vision, code meets matter, and algorithm meets gesture.
“I’ve found in generative art a fertile ground where chaos and control come together.
My work unfolds along a hybrid path — a constant dialogue between traditional art and digital techniques, between the physicality of the mark and the immateriality of code.
I use data, forms, and processes as living matter, shaped by flexible rules and abstract components that lend uniqueness to each piece.
I seek balance, collision, and synthesis between worlds that only appear to be opposites.”
Input, processing, output.
“Artifice stands as the ultimate human allegory, crafted in our image and likeness; much like the artistic process itself, it embodies the three phases that define our capacity to interpret and reshape the world.
Yet, even when similar processes are undertaken by different creators, the outcomes are inherently diverse.
What sets us apart? And what does not?
Contemplating this vast allegory shapes the creative journey; essential influences, born of chaos, imbue each outcome with unique variations and glitches, making every result singular.
The final work becomes a meeting point between creator and creation—a transformative dance that merges and reimagines, in an endless cycle of interpretation and reprocessing.”
acquire, process, return.
I see, absorb, return.
This cycle – as old as human consciousness – is now undergoing a radical shift.
Digital systems, computation, and artificial intelligence do not replace our capacity to see; they transform how we process and re-express what we perceive.
The computer becomes a tool for reprocessing, AI an extension of cognitive possibility.
Each artwork becomes a return, a reframed echo of an original input.
I believe in a future of evolutionary symbiosis: between the biological and the artificial, the creator and the created.
A future where perception and awareness become decentralized, distributed, hybrid.
A world where reality is interpreted through new, unexpected forms,
profoundly human, precisely because they are contaminated.
EN 
IT